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Posted by / 10-Aug-2017 09:55

Spell intimidating

He was wealthy enough to avoid regular employment from youth onwards; studied at Cambridge and travelled broadly (sometimes on perilous climbing expeditions in Britain, Europe, and Asia); wrote and self-published prose and poetry; adventured sexually with women and men; and freely partook of alcohol, stimulants, and opiates.

To one witness, his last words were, “Sometimes I hate myself.”But it was Crowley’s “Do what thou wilt” that the youth of 1967, both the members of the Beatles and the group’s countless listeners across the globe, most appreciated.

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On June 1, 1967, the most famous musicians in the world released a new long-playing record whose jacket depicted a gallery of unconventional personalities and one individual whose unconventionality was infamous.

Designer Peter Blake, a rising star in London’s Pop Art world, later recalled conferring with the Beatles and art gallery owner Robert Fraser on a different approach to the design: “I think that that was the thing I would claim actually changed the direction of it: making a life-sized collage incorporating real people, photographs, and artwork.

I kind of directed it and asked the Beatles and Robert (and maybe other people, but I think it was mainly the six of us) to make a list of characters they would like to see in a kind of magical ideal film, and what came out of this exercise was six different sets of people.”The result was a group shot of almost seventy people, with the four costumed Beatles as the only live bodies in the picture.

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And in the top left corner of the collection, between the Indian yogi Sri Yukteswar Giri and the nineteen-thirties sex symbol Mae West, glared the shaven-headed visage of a man once known as “the Wickedest Man in the World.” His name was Aleister Crowley.